The Road Not Taken and Other Poems by Robert FrostTwo roads diverged in a wood, and I--
I took the one less traveled by,
And that has made all the difference.
These deceptively simple lines from the title poem of this collection suggest Robert Frost at his most representative: the language is simple, clear and colloquial, yet dense with meaning and wider significance. Drawing upon everyday incidents, common situations and rural imagery, Frost fashioned poetry of great lyrical beauty and potent symbolism.
Originally published in 1916 under the title Mountain Interval.
Can anyone explain me what does the poem "Hill wife" by Robert Frost means ?
Chat or rant, adult content, spam, insulting other members, show more. Harm to minors, violence or threats, harassment or privacy invasion, impersonation or misrepresentation, fraud or phishing, show more. Can anyone explain me what does the poem "Hill wife" by Robert Frost means? I need to write a Commentary on this peom, so can you please help me by telling the story and the devices used by frost. ASAP Thankyou. Report Abuse.
One ought not to have to care So much as you and I Care when the birds come round the house To seem to say good-bye;. Or care so much when they come back With whatever it is they sing; The truth being we are as much Too glad for the one thing. As we are too sad for the other here — With birds that fill their breasts But with each other and themselves And their built or driven nests. Always — I tell you this they learned — Always at night when they returned To the lonely house from far away To lamps unlighted and fire gone gray, They learned to rattle the lock and key To give whatever might chance to be Warning and time to be off in flight: And preferring the out- to the in-door night, They. That smile! It never came of being gay.
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As with all his other poems, The Hill Wife shows the pattern ever present in the work of Robert Frost. While not as prevalent in his work concerning more nature centric and cohesive poems, The Hill Wife shows a large overwhelming thought or concept, a small attempt at gaining control or power over the overwhelming thing, and then the all-consuming nature of whatever concept or idea or space when that attempt at control or power crumbles. As a poet, Frost performs the work written by God for any master of the English language- to comment on the nature of existence through the crafting of words. Where Frost drastically differs from his peers, however, is where he does this almost exclusively through the use of nature; And, rather than providing poems in which objects can be assigned representations, he writes so that his overarching work can be shown to represent one general cohesive theme. This being the case, we as the readers can look at each individual poem without looking for some basic object being turned into an icon. Rather, we can read through each poem and pay more substantial attention to the literal story told, and then subsequently look for the large open spaces and the small, human attempts at bringing control to these situations. I believe with both of these in the final stanza, it actually helps to bring the full circle around to the open space, control, and loss of control pattern that comes with the poetry of Frost.
It deals not with a personal experience of the author, but with a dramatic situation seen from without; and the dramatic crisis is offered as something incomprehensible. The wife leaves her husband because she is lonely on their back-country farm, but there is no clear understanding of her motive; we are told that she is disturbed when the birds leave in the fall, and frightened by a casual tramp, and that a pine near the window obsesses her thoughts. The last section, characteristically entitled "The Impulse," describes her final act as a sudden and unpremeditated one. The poem has an eerie quality, like that of dream or of neurosis, but it has little else. As a study in human relationships, it amounts to nothing, and one has only to compare it to "Eros Turannos" by Robinson to discern its triviality. And one might mention also the poem from A Witness Tree entitled "A Serious Step Lightly Taken": the serious step in question is merely the buying of a farm; but the title is characteristic, and the title implies approval and not disapproval—it implies that serious steps ought to be lightly taken.